Killswitch Engage, Alive Or Just Breathing Full Album Zip
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Review: Killswitch Engage - Alive or Just Breathing (2002)
Killswitch Engage is one of the most influential bands in the metalcore genre, and their second album, Alive or Just Breathing, is a testament to their skill and creativity. Released on May 21, 2002, through Roadrunner Records[^2^], the album features 12 tracks of intense and melodic metal that combine aggressive riffs, soaring vocals, and emotional lyrics.
The album was produced by drummer and guitarist Adam Dutkiewicz, who also played all the drums on the record. This was the last album to feature original vocalist Jesse Leach, who left the band shortly after its release due to personal and health issues. Leach's lyrics deal with themes of spirituality, self-empowerment, and overcoming adversity, and his vocal style ranges from harsh screams to clean singing.
The album opens with \"Numbered Days\", a fast and furious song that sets the tone for the rest of the record. The chorus features Leach's signature scream of \"The time approaches / Fall!\", which became a fan favorite. The next track, \"Self Revolution\", is a catchy and upbeat song that encourages listeners to take control of their lives and make positive changes. The third track, \"Fixation on the Darkness\", is one of the most popular songs on the album, and features a guest appearance by Howard Jones, who would later replace Leach as the band's vocalist. The song showcases the contrast between Leach's and Jones' vocal styles, as well as the band's ability to blend heavy and melodic elements.
The fourth track, \"My Last Serenade\", is another fan favorite and one of the band's most recognizable songs. The song is a powerful ballad that expresses Leach's farewell to his former lover and his hope for a better future. The song features a memorable guitar solo by Dutkiewicz and a soaring chorus that showcases Leach's clean vocals. The fifth track, \"Life to Lifeless\", is a brutal and relentless song that deals with the loss of a friend and the futility of war. The song features some of the heaviest riffs and breakdowns on the album, as well as some of Leach's most aggressive vocals.
The sixth track, \"Just Barely Breathing\", is a long and epic song that explores Leach's struggle with depression and suicidal thoughts. The song starts with a slow and atmospheric intro that builds up to a heavy and explosive chorus. The song also features some of the most complex and technical guitar work on the album, as well as some of Leach's most emotional lyrics. The seventh track, \"To the Sons of Man\", is a short and fast song that serves as an interlude between the two halves of the album. The song features some of the most punk-influenced riffs and drumming on the album, as well as some of Leach's most anthemic vocals.
The eighth track, \"Temple from the Within\", is a re-recorded version of a song from the band's debut album. The song is a heavy and groovy song that showcases the band's roots in hardcore and metal. The song features some of the most catchy and rhythmic riffs on the album, as well as some of Leach's most diverse vocals. The ninth track, \"The Element of One\", is another re-recorded version of a song from the band's debut album. The song is a melodic and emotional song that expresses Leach's love for his wife. The song features some of the most beautiful and harmonious guitar work on the album, as well as some of Leach's most heartfelt vocals.
The tenth track, \"Vide Infra\", is another re-recorded version of a song from the band's debut album. The song is a dark and sinister song that deals with Leach's loss of faith and his fear of death. The song features some of the most ominous and dissonant riffs on the album, as well as some of Leach's most haunting vocals. The eleventh track, \"Without a Name\", is an instrumental interlude that leads into the final track. The track features some of the most ambient and atmospheric sounds on the album, creating a sense of calmness before the storm.
The twelfth and final track 248dff8e21